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Classical guitar shed tremolo
Classical guitar shed tremolo













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classical guitar shed tremolo

#Classical guitar shed tremolo how to

↳ How to Participate in the Delcamp Classical Guitar Forum.It's a technique that's most likely employed in less than 1% of the repertoire (just a guess) so I don't consider it to be so important to prevent people from learning flesh technique. Question: did you practice the technique for some time before recording or just go for it? I've been thinking to practice the technique for a year or so and then record something but I just don't like tremolo enough to do that haha. Not to mention, Tárrega, Pujol (who played tremolo with all rest strokes when able to), Tarragó, Cubedo, etc. Another member, Isabelle Frizac, also does it very well here: viewtopic.php?f=102&t=118215&p=1257407 (tremolo starts at about 2:38). Anyways, the answer is, of course, yes! I couldn't play tremolo (or "fast") very well while playing with nails either, unfortunately. That, along with, "can you still play fast". When I mention playing without nails, "can you still play tremolo" is the number one question I get as well. Very interesting, Rob and nice sound! Just curious, in case I missed it, are you using the pimi RH fingering for this? I stupidly forgot to place the mic anywhere near the instrument, so had to boost the volume when editing, which meant that the background noise came up as well. After Tárrega cut off his nails, he went on tour of Italy, and we know he had tremolo pieces in his programme, so it can be done.but differently.Ĭuriously, Sagreras suggests pimi fingering for volume, and pami for speed at a lower volume.Įdit: on a low-tuned Ramirez.

classical guitar shed tremolo

Of course, other no-nail players might well play tremolo MUCH better, and I sincerely hope they do, but this is where I am at with it at the moment. Pujol said that the sound of tremolo without nails sounds "ethereal", so it will not sound like what you might be used to. I thought it was about time I put all negativity aside and just say, "Here it is. Fair? Obviously not, but it did make me worried as I was never very good at tremolo even when - some 30 years ago - I played with nails.īut lately I've been recording studies from Sagreras's books, and came across the very nice, and all-too-short study #4 in Book 3, a tremolo piece. Imagine you only ever heard one person playing classical guitar WITH nails, and said player's tremolo was not very good, then the whole technique would be dismissed. Some have said that if I can't do it, then the entire technique should be dismissed. By far the most asked question I've had is whether I can play tremolo. As many of you know, I play classical guitar without nails, and usually on gut and silk strings, old school.













Classical guitar shed tremolo